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I. General
Bordwell, David, Janet
Staiger and Kristin Thompson. The Classical Hollywood Cinema: Film Style
and Mode of Production to 1960. New York: Columbia U. Press, 1985.
Bordwell, David and
Kristin Thompson. Film Art: An Introduction. New York: McGraw Hill, 2005.
Bordwell, David. The
Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: U. of California Press, 2006.
Monaco, James. How
To Read a Film.
New York: Oxford U. Press, 1981.
Perkins, V. F. Film as Film: Understanding and Judging Movies. New York: Da Capo, 1993.
Sarris, Andrew. The American Cinema: Directors and Directions, 1929-1968. New York: Dutton, 1968.
——. “You Ain’t Heard Nothin’ Yet”: The American Talking Film—History and Memory, 1927 – 1949. New York: Oxford U. Press, 1998.
II. Comedy
Karnick, Kristine
Brunovsak and Henry Jenkins, eds. Classical Hollywood Comedy. New York: Routledge, 1995.
Mast, Gerald. The Comic Mind: Comedy and the
Movies. New
York: Bobbs-Merrill, 1973.
Sikov, Ed. Laughing
Hysterically: American Screen Comedy of the 1950s. New York: Columbia U. Press,
1994.
III. Germany, Hollywood and the War
Dick, Bernard F. The Star-Spangled Screen: The American World War II Film. Lexington: U. Press of Kentucky, 2006.
Doherty, Thomas. Projections of War: Hollywood, American Culture, and World War II. New York: Columbia U. Press, 1999.
Fuchs, Anne; Mary Cosgrove, Georg Grote eds. German Memory Contests: The Quest for Identity in Literature, Film, and Discourse Since 1990. Rochester, NY: Camden House, 2006.
Insdorf, Annette. Indelible Shadows. Film and the Holocaust. Cambridge: Cambridge U. Press, 2003. Koppes, Clayton R. and Gregory D. Black. Hollywood Goes to War: Patriotism, Movies and the Second World War, from “Ninotchka” to “Mrs. Miniver”. New York: The Free Press, 1987.
Loshitzky, Yosefa. Spielberg’s Holocaust: Critical Perspectives on "Schindler's List". Bloomington: Indiana U. Press, 1997.
McLaughlin, Robert L. and Sally E. Parry. We'll Always Have the Movies: American Cinema During World War II. Lexington, KY: U. Press of Kentucky, 2006.
O'Brien, Mary-Elizabeth. Nazi Cinema as Enchantment: The Politics of Entertainment in the Third Reich. Rochester, NY: Camden House, 2003.
Reimer, Robert C. Cultural History Through a National Socialist Lens: Essays on Cinema of Nazi Germany. Rochester, NY: Camden House, 2000.
Saunders, Thomas J. Hollywood in Berlin: American Cinema and Weimar Germany. Berkeley: U. of California Press, 1994.
IV. Directors
(Borzage)
Belton, John. The Hollywood Professionals: Howard Hawks, Frank Borzage, Edgar G. Ulmer. New York: A.S. Barnes, 1974.
Dumont, Hervé. Frank Borzage: The Life and Films of a Hollywood Romantic. tr. Jonathan Kaplansky. Jefferson, NC: McFarland, 2006.
Lamster, Frederick. “Souls Made Great Through Love and Adversity”: The Film Work of Frank Borzage. Lanham, MD: Scarecrow Press, 1981.
(Chaplin)
Robinson, David. Charlie Chaplin: The Art of Comedy. London: Thames & Hudson, 1996.
Schickel, Richard. The Essential Chaplin: Perspectives on the Life and Art of the Great Comedian. New York: Ivan R. Dee, 2006.
(Fuller)
Garnham, Nicholas. Samuel Fuller. New York: Viking, 1971.
Hardy, Phil. Samuel Fuller. New York: Praeger, 1970.
(Hitchcock)
Deutelbaum, Marshall and Leland Poague (eds.). A Hitchcock Reader. Ames: Iowa State U. Press, 1986.
Durgnat, Raymond. The Strange Case of Alfred Hitchcock. Cambridge, MA: MIT Press, 1974.
Freedman, Jonathan and Richard Millington (eds.). Hitchcock's America. New York: Oxford U. Press, 1999.
La Valley, Albert J. (ed.). Focus on Hitchcock. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Rothman, William. Hitchcock: The Murderous Gaze. Cambridge, MA: Harvard U. Press, 1982.
Wood, Robin. Hitchcock's Films Revisited. New York: Columbia U. Press, 2002.
Yacowar, Maurice. Hitchcock’s British Films. Camden, CT: Archon, 1977.
(Lang)
Armour, Robert A. Fritz Lang. Boston: Twayne: 1977.
Eisner, Lotte. Fritz Lang. New York: Da Capo, 1976.
Gunning, Tom. The Films of Fritz Lang: Allegories of Vision and Modernity. London: BFI, 2000.
Jensen, Paul M. The Cinema of Fritz Lang. New York: A. S. Barnes, 1969.
Humphries, Reynold. Fritz Lang: Genre and Representation in His American Films. Baltimore, MD: Johns Hopkins U. Press, 1989.
(Lubitsch)
Barnes, Peter. To Be or Not to Be. London: The British Film Institute, 2002.
Eyman, Scott. Ernst Lubitsch: Laughter in Paradise. Baltimore: Johns Hopkins U. Press, 2000.
Paul, William. Ernst Lubitsch's American Comedy. New York: Columbia U. Press, 1987.
Poague, Leland A. The Cinema of Ernst Lubitsch. New York: A.S. Barnes, 1978.
(Peckinpah)
Simmons, Garner. Peckinpah: A Portrait in Montage. Austin: U. of Texas Press, 1976.
Weddle, David. “If They Move . . . Kill ‘Em!”: The Life and Times of Sam Peckinpah. New York: Grove Press, 1994.
(Reed)
Evans, Peter William. Carol Reed. Manchester: Manchester U. Press, 2005.
Moss, Robert F. The Films of Carol Reed. New York: Columbia U. Press, 1987.
White, Rob. The Third Man. London: The British Film Institute, 2003.
(Welles)
Bazin, André. Orson Welles: A Critical View. Los Angeles: Acrobat Books, 1991.
Garis, Robert. The Films of Orson Welles. Cambridge: Cambridge U. Press, 2004.
Gottesman, Ronald (ed.). Focus on Orson Welles. Englewood Cliffs, N.J.: Prentice-Hall, 1976.
Naremore, James. The Magic World of Orson Welles. Dallas: SMU Press, 1989.
Rosenbaum, Jonathan. Discovering Orson Welles. Berkeley: U. of California Press, 2007.
(Wilder)
Dick, Bernard F. Billy Wilder. New York: DaCapo, 1996.
Henry, Nora. Ethics and Social Criticism in the Hollywood Films of Erich von Stroheim, Ernst Lubitsch, and Billy Wilder. Westport, CT: Greenwood Press, 2000.
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