Tom Whalen
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Wintersemester 2008/09 & Sommersemester 2009
Staatliche Akademie der Bildenden Künste Stuttgart
Freitags 13.30 - 17.30 (conducted in English)
WS-Raum: Neubau II, 2.08

FILM FOR ARTISTS, ARTISTS FILMING: ANALYSIS AND PRACTICE

Winter semester 2008-09 - Classics of Poetic Narrative Cinema
Summer semester 2009 - Contemporary Eccentrics

October 17 - Composition and the Moving Image
Les Mistons - Truffaut (1957) 17'
The Blacksmith - Keaton (1922) 21'

October 24 - Film Time and Space
Vampyr - Dreyer (1932) 72 ’

October 31 - Mise en scène and the Shot
La Règle du Jeu (Rules of the Game) - Renoir (1939) 106'

November 7 - Scene and Shot Construction
The Magnificent Ambersons - Welles (1942) 88'

November 14 - Shot Duration and Rhythm
Shadow of a Doubt - Hitchcock (1942) 103'

November 21 - Projecting Shadows
The Leopard Man - Lewton/Tourneur (1943) 66'

December 5 - Iconography
Les Yeux sans Visage (Eyes without a Face) - Franju (1959) 90'

December 12 - Genre Transformation Part I
Les Vampires (excerpt) - Feuillade (1916)
Judex - Franju (1963) 94'

December 19 - Genre Transformation Part II
Yojimbo - Kurosawa (1961) 110'

January 9 - Genre Transformation Part III
Alphaville - Godard (1965) 98'

January 16 - Sound
Masculin-Féminin - Godard (1966) 105'

January 23 - "Necessary Images"
Au Hazard Balthazar - Bresson (1966) 95'

January 30 - Correspondences
El Espiritu de la Colmena (The Spirit of the Beehive) - Erice (1973) 93'

February 6 - The Shot and the Sign
Alice in den Städten - Wenders (1974) 110'

February 13 - Art and Reality
El Sol del Membrillo (The Quince Tree Sun) - Erice (1992) 132'